Chema Madoz

Cactus, Madrid

1995

"I wanted Christina to learn some responsibility for cleaning her room, but it didn't work." Edition of 15 Gelatin silver print, 11 x 14 in. Signed, numbered, and dated in pencil wi...

Edition of 25 Signed, titled, negative date, print date and numbered. Sepia toned gelatin silver Michael Kenna's black and white photographs are powerful and alluring. His imagery t...

Edition 1/25 Signed, titled, negative date, print date and numbered by Michael Kenna Sepia toned gelatin silver. Printed 2020. Mat size: 20 x 16 in., Image size:9 1/4 x 6 1/2 in. Mi...

Edition 1/25 Signed, titled, negative date, print date and numbered by Michael Kenna Sepia toned gelatin silver. Printed 2020. Mat size: 20 x 16 in., Image size: 7 3/4 x 8 in. Micha...

Edition 1/25 Signed, titled, negative date, print date and numbered by Michael Kenna Sepia toned gelatin silver. Printed 2020. Mat size: 20 x 16 in., Image size: 6 1/2 x 9 1/2 in. M...

Dakekanba and Snow Barriers, Hokkaido, Japan by Michael Kenna presents a sublime scene. Dark snow barriers contrast with the blanket of stark white snow. A single tree stands in the ...

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone...

Varnished photo montage on paper

Derby Spectator A spectator looking through binoculars at the Derby horse races, Epsom, Surrey, June 1923. (Photo by Hulton / Getty Archive) Silver gelatin fibre print 20 x 24" p...

Young Competitors (1925) - Silver Gelatin Fibre Print (Photo by MacGregor/Topical Press Agency/Getty Images) 11th August 1925 Three young competitors arriving at the courts for th...

Jean Michel Basquiat photograph 1979; This rare Basquiat photograph was taken from Nicholas Taylor’s well-documented portfolio exploring his friendship with Jean-Michel Basquiat - a friendship which began when both collaborated on the historic New York No Wave band, “GRAY” in the late 1970s; before the two briefly lived together in the East Village. Selections from Taylor's portfolio were most notably exhibited as part of the Basquiat retrospective at London's Barbican in 2017 and have been featured in numerous noteworthy publications on Basquiat. Silver Gelatin Print. 1979. 11 x 14 inches. Hand singed and numbered in the margins from an edition of 5 A/P's. Good to very good overall vintage condition, with the exception of some minor surface waving commensurate with medium. Provenance: Obtained directly from artist. Lot 180 Gallery New York is a primary dealer rep of Nicholas Taylor. Whilst Basquiat often provided glimpses into his conflicted character through his own art, Taylor’s photograph offers an intimate, and perhaps more honest, portrait from the outside. The clever exploration of light and dark reveals the dichotomies that divided the artist; both his fragile and playful, tender and brazen sides are unveiled. A soft glow is cast across Basquiat’s face, communicating a tenderness and affection that only a close friend could capture. About Nicholas Taylor: Nicholas Taylor (American, b. 1953) is a renowned photographer and musician. Taylor moved to New York in 1977 to pursue a career as a photographer and it was through the vibrant New York art scene that he came to know the young artist, Jean-Michel Basquiat. It was, in fact, his intimate portfolio of photographs documenting his friendship with Basquiat that rocketed Taylor to fame. The two would collaborate in the seminal No Wave band “Gray” and live together in the East Village, before Taylor launched a successful career as a DJ famous for track-looping. His track “Suicide Mode” would later be used in the soundtrack for Julian Schnabel’s 1996 film “Basquiat." Taylor has been directly referenced in at least two works by Basquiat and is responsible for first introducing the artist to Madonna before the two dated. Taylor's photographs of Basquiat were recently exhibited at London's Barbican and Frankfurt's Schirn Kunsthalle as part of the landmark Basquiat: Boom for Real exhibition; with Gray (Michael Holman & Nick Taylor...

14 x 10 inch gelatin silver print, initialed "H.L." on verso. From the James Agee Family Collection. Helen Levitt was a true master of the street, one whose poetic vision, humor, an...